
Arie per una “voce d’angelo”
G.B. Bononcini (1670-17479, L. Leo (1694-1744)
N. Fiorenza (?-1764), G. Giacomelli, (1692-1740)
About this album
Alongside with composers, in the beginning of the XVIII century the first great singers began to come to the front scene of music. In some instances - mostly in the case of Senesino and Farinelli, the castrati – they ascended to the role of international stars. Among these, Francesca Cuzzoni deserves mention. A soprano born in Parma in 1696, she had an adventurous life and Georg Friedrich Händel composed 13 operas for her. Besides that for her extraordinary virtuoso voice, the Parmigiana - as she was known – stood out for her temperamental excesses as well, that caused fierce reproaches from Händel and brought her to a true physical fight on stage with her rival Faustina Bordoni. On the occasion of the nomination of Parma as Italian Capital of Culture in 2020, Elegia Classics celebrates this great interpreter with an attractive record that covers the important steps of her inimitable career, with a beautiful anthology of arias from the works of some of the most famous composers of the time, from Giovanni Bononcini, the fierce rival of Händel in London, to Geminiano Giacomelli, an author almost neglected today and composer of arias of an unbridled virtuosic character, Francesco Veracini from Florence and Leonardo Leo from Puglia. The role of Francesca Cuzzoni is worthily covered by Lucia Cortese, the recent protagonist of a CD dedicated to the cantatas of Benedetto Marcello, that for the occasion is accompanied by the period instrument ensemble Trigono Armonico directed by Maurizio Cadossi.
Additional info about this CD
Recording on october 2019, in Castello della Musica, Noceto, Parma, Italy
20 pages full colour booklet (Ita and Eng)
Arias lyrics
Artist biography
Musicology commen.
TRACK LISTING
Francesco Maria Veracini (1690 - 1768) | |||||
DALL’OPERA “ADRIANO IN SIRIA” | |||||
1. | Aria di Emirena: “Prigioniera abbandonata” | [04’47’’] | |||
2. | Aria di Emirena: “Quel cor che mi donasti” | [05’50’’] | |||
Mauro D’Alay (1687 - 1757) | |||||
Concerto in la maggiore per violino, archi e basso continuo op. 1 n. 1 | |||||
3. | Allegro | [04’09’’] | |||
4. | Largo | [04’45’’] | |||
5. | Allegro | [05’44’’] | |||
Giovanni Battista Bononcini (1670 - 1747) | |||||
DALL’OPERA “ASTIANATTE” | |||||
6. | Aria di Andromaca: “Deh lascia o core di sospirar” | [03’31’’] | |||
7. | Aria di Andromaca: “Deh non accrescer l’acerbo mio dolor” | [05’18’’] | |||
Leonardo Leo (1694 - 1744) | |||||
DALL’OPERA “CIRO RICONOSCIUTO” | |||||
8. | Aria di Mandane: “Rendimi il figlio mio” | [04’00’’] | |||
Nicola Fiorenza (? - 1764) | |||||
Concerto in fa maggiore per violoncello, due violini e basso continuo (1728) | |||||
9. | Presto, Largo, Presto, Largo, Presto, Largo | [04’22’’] | |||
10. | Allegro | [03’18’’] | |||
11. | Largo | [02’42’’] | |||
12. | Allegro | [04’45’’] | |||
Geminiano Giacomelli (1692 - 1740) | |||||
DALL’OPERA “SCIPIONE IN CARTAGINE NUOVA” | |||||
13. | Aria di Elvira: “Speranza foriera di dolce contento” | [06’31’’] | |||
14. | Aria di Elvira: “Le catene l piè mi togli” | [06’26’’] | |||
T.T. | [67’00”] |