
Correa nel seno amato & other Cantatas
Maria Caruso, soprano
Maurizio Cadossi, conductor
About this album
Elegia Classics launches a new series dedicated to the Italian cantata that will see it engaged alongside with the Italian Musicological Society and some of the singers and period instrument ensembles that are today most interesting in the Italian musical landscape. The first volume of the collection is centered on the figure of Alessandro Scarlatti – we could say a must as a choice – who in the course of his long career composed over 700 cantatas. His production spans the gamut of delicate Arcadian atmospheres, from woks based on mythology themes, to pieces of a decidedly dramatic character. The works presented in this CD reveal the two main characteristics of the style of the great composer from Palermo, which are an inexhaustible talent in writing melodies and a complex and very elaborate counterpoint that still looks on to precedent models. The program begins with Correa nel seno amato, a very well known page that many consider to be amongst the most emblematic masterpieces of Scarlatti’s production, to arrive to the world premiere recording of two cantatas, Benchè o Sirena bella and Dove fuggo, a che penso. This record marks the debut of soprano Maria Caruso and of the ensemble Trigono Armonico directed by violinist Maurizio Cadossi in the catalog of Elegia Classics.
Additional info about this CD
Recorded in chiesa di Sant’Anastasia, Villasanta (MB), Italy, on January 2019.
24 pages full colour booklet (Ita and Eng)
Lyrics of the cantatas
Artist biography
Musicology comment.
TRACK LISTING
Correa nel seno amato | |||||
1. | Sinfonia e Balletto | [02’33’’] | |||
2. | Recitativo - Correa nel seno amato | [05’47’’] | |||
3. | Aria - Ombre opache | [05’29’’] | |||
4. | Recitativo – Curilla, anima mia | [00’53’’] | |||
5. | Aria – Fresche brine che pietose | [02’15’’] | |||
6. | Aria – Recitativo – Piante insensate e fide | [01’26’’] | |||
7. | Aria – Idolo amato, tormento del core | [01’51’’] | |||
8. | Recitativo – Ma voi, occhi dolenti | [01’54’’] | |||
9. | Aria – Onde belle | [03’24’’] | |||
10. | Recitativo – Curilla, anima mi | [02’53’’] | |||
11. | Recitativo accompagnato – Volea più dir Daliso | [01’15’’] | |||
Appena chiudo gli occhi | |||||
12. | Sinfonia avanti | [02’27’’] | |||
13. | Recitativo – Appena chiudo gli occhi in breve sonno | [01’01’’] | |||
14. | Aria – Dolce sonno | [04’52’’] | |||
15. | Recitativo – Se dell’idolo mio | [00’52’’] | |||
16. | Aria – Amico sonno | [02’47’’] | |||
Benché o Sirena bella | |||||
17. | Recitativo - Benché o Sirena bella | [00’45’’] | |||
18. | Aria – Dolce, dolce canta | [04’57’’] | |||
19. | Recitativo – E come, e come puoi vantare | [00’53’’] | |||
20. | Aria – Ferma, ferma! | [03’50’’] | |||
Dove fuggo a che penso | |||||
21. | Recitativo – Dove fuggo, a che penso, ove m’ascondo? | [01’25’’] | |||
22. | Aria – Se agitata dalle pene | [03’43’’] | |||
23. | Recitativo – Crudo Fileno ingrato | [00’53’’] | |||
24. | Aria – La memoria d’un ingrato | [03’53’’] | |||
25. | Recitativo – A voi, a voi balzerò mite | [01’04’’] | |||
26. | Recitativo Aria – Povera Clori | [05’28’’] | |||
27. | Recitativo – Insegnatemi o mostri | [01’01’’] | |||
28. | Aria – Nelle selve tra le belve | [05’50’’] | |||
T.T. | [75’34”] |