
Gli Organi Agati e Tronci
Agati-Tronci (1890 ca.), Cutigliano (PT).
Organo Pietro Agati (1789), Bargi (BO).
Organo Onofrio Zeffirini (1555),
Antonio e Filippo Tronci (17869, Colle di Val d’Elsa (SI).
Organo Domenico Cacioli-Antonio e Filippo Tronci (1745), (PT).
Organo Giosuè Agati, 1820, Limite sull’Arno (FI).
About this album
Always committed to increase the value of the Italian historic organs, Elegia Classics outlines in this CD a fascinating cutaway of the Tuscan instruments with regard to four organs realized between the half of the XVIII century and the beginning of the XIX century by Agati and Tronci families, that are almost like dynasties. The wide programme is conceived to reach the highest improvement of the timbre and expressive characteristics of each instrument, with an exhaustive anthology of the Tuscan organ literature, that ranges over the sixteenth century authors such as Gioseffo Guami and Francesco Bianciardi to Giuseppe Gherardeschi, composer of whom Elegia has recently published the opera omnia, performed by Andrea Vannucchi. Among the most interesting authors, it is also important to remember Bernardo Pasquini and Domenico Puccini, grandfather of Giacomo. For this repertoire Andrea Vannucchi was the best, because he proposes a very appropriate performance, that also underlines four splendid organs.
Additional info about this CD
20 pages full colour booklet (Ita and Eng)
Musicology comment,
Artist biography
Full organ specs card included
TRACK LISTING
*Organo Cosimo Ravani, 1626, Agati-Tronci 1890 ca., Cutigliano (PT) | |||||
Baldassare Del Bianco (1820-1850) | |||||
Quattro Versetti Op. 15 | |||||
1. | Allegro marziale | [1’20"] | |||
2. | Allegretto | [1’06”] | |||
3. | Cantabile Melodico | [1’21”] | |||
4. | Allegro | [1’16”] | |||
Luigi Gherareschi (1791-1871) | |||||
5. | Poscomunio [II] | [2'27“] | |||
Gioseffo Guami (1542-1611/1612) | |||||
6. | Canzon “La Guamina” | [2’16”] | |||
Cristofano Malvezzi (1547-1599) | |||||
7. | Fuga Secunda à 4 | [2’41”] | |||
8. | Ricercar del Secondo Tuono | [4’20”] | |||
*Organo Pietro Agati, 1789, Bargi (BO) | |||||
Bernardo Pasquini (1637-1710) | |||||
9. | Ricercare V tono a 4 | [1’48”] | |||
10. | Tre Arie | [3’30”] | |||
11. | Bergamasca | [2’06”] | |||
Francesco Feroci (1673-1750) | |||||
12. | Toccata in D | [4’30”] | |||
13. | Elevazione Re maggiore | [2’17”] | |||
Luca Biagiotti (sec. XVIII-XIX) | |||||
14. | Offertorio in Re maggiore | [4’08”] | |||
*Organo Onofrio Zeffirini, 1555, Antonio e Filippo Tronci, 1786, Colle di Val d’Elsa (SI) | |||||
Francesco Bianciardi (1570-1607) | |||||
15. | Fantasia sopra Ut, Re, Mi, Fa, Sol, La | [2’58”] | |||
Bernardo Pasquini (1637-1710) | |||||
16. | Variazioni per il Paggio Todesco | [5’35”] | |||
Bernardino Azzolino Della Ciaja (1671-1755) | |||||
17. | Ricercare III | [1’17”] | |||
Giuseppe Gherardeschi (1759-1815) | |||||
18. | Tre Versetti (Tempo di marcia, Andantino, Allegro) | [3’14”] | |||
Ettore Romagnoli (1772-1838) | |||||
19. | Sonata VIII | [3’02”] | |||
*Organo Domenico Cacioli-Antonio e Filippo Tronci, 1745, Pistoia | |||||
Giovanni Maria Casini (1652-1719) | |||||
20. | Pensiero duodecimo | [4'52"] | |||
Anonimo (MS 226,8 Archivio Capitolare della Cattedrale di Pistoia, sec. XVIII) (1652-1719) | |||||
21. | Post Communio [II] | [3’26”] | |||
Antonio Botti (1766-1799) | |||||
22. | Elevazione in Fa maggiore | [4'18"] | |||
Giovanni Francesco Becattelli (1679-1734) | |||||
23. | Sonata III | [3’22”] | |||
*Organo Giosuè Agati, 1820, Limite sull’Arno (FI) | |||||
Gasparro Sborgi (1737-1819) | |||||
24. | Grave per la Benedizione con la Toccata in fine | [3’04”] | |||
Domenico Puccini (1772-1815) | |||||
25. | Sonata 27 | [4'47"] | |||
T.T. | [76’25”] |