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Luca Guglielmi. Cinquecentina d’organo
Girolamo Cavazzoni (ca.1525-1577)
Heinrich Isaac (1450/55-1517)
Paul Hofhaimer (1459-1537)
Giulio Segni (1495-1561)
Andrea Antico (ca.1480-1538)
Janz Lublina (sec XVI)
John Redford (sec.XVI)
Thomas Tallis (ca.1505-1585)
Jacopo Fogliano (1468-1548)
Antonio De Cabezòn (1510-1566)
Luìs Venegas de Henestrosa (1510-1570)
Francisco De la Torre (1483-1504)
Girolamo Parabosco (ca.1524-1557)
Andrea Gabrieli (1532/33-1585)
Novalesa, Turin - Italy
Information Album
The beginning of 16th century is one of the most flourishing moment for arts and culture in European’s history. Italy peaked then with geniuses like Pico della Mirandola, Leonardo da Vinci, Michelangelo and Raffaello. Those were great times for organ music too, rich of innovations and ideas that reverberated for many years ahead. Gregorian chants are still the benchmark and main reference for composition, however new elements started appearing as free compositions, processing of sacred and profane pieces for vocal music. All seeds that will became favourite themes for future composers. This CD was conceived to present and compare those new tendencies on a magnificent organ built from the well known Cesare Catarinozzi (1660-1743) around 1695 for Subiaco’s Abbey and now situated in Novalesa’s Abbey (Turin), it was recently restored from Glauci Ghilardi in 2006.
TRACK LISTING
Pierre Attaignant (1696-1762) | |||||
1. | Prelude sur chacun ton | [3’28”] | |||
Girolamo Cavazzoni (CA.1525-1577) | |||||
2. | Canzon sopra i le bel e bon | [1’53”] | |||
3. | Hymnus Ave maris stella | [2’44”] | |||
4. | Hymnus Christe redemptor omnium | [2’04”] | |||
Heinrich Isaac (CA.1450/55-1517) | |||||
5. | Ricercare | [3’30”] | |||
Paul Hofhaimer (1459-1537) | |||||
6. | Recordare | [4’56”] | |||
Marco Antonio Cavazzoni MARCO ANTONIO CAVAZZONI | |||||
7. | Plus. ne regres. (1523) | [2’33”] | |||
Giulio Segni [Julio da Modena] (1498-1561) | |||||
8. | Ricercare per musica ficta in sol per la via di G sol re ut | [3’27”] | |||
Andrea Antico (CA.1480-1538) | |||||
9. | Vergine bella che di sol vestita | [2’32”] | |||
Janz Z Lublina [J. De Lyublyn] (Sec. XVI) | |||||
10. | O passi sparsi (da Sebastiano Festa) 1540 | [2’05”] | |||
John Redford (Sec. XVI) | |||||
11. | Veni redemptor | [2’30”] | |||
Thomas Tallis (CA.1505-1585) | |||||
12. | Ex more docti mistico | [1’38”] | |||
Jacopo Fogliano (1468-1548) | |||||
13. | Ricerchare | [2’30”] | |||
14. | Ricerchare | [2’35”] | |||
15. | Ricerchare | [1’37”] | |||
16. | Ricerchada | [1’48”] | |||
Antonio De Cabezòn (1510-1566) | |||||
17. | Diferencias sobre el Canto Llano del Caballero | [2’56”] | |||
Luìs Venegas de Henestrosa (1510-1570) | |||||
18. | Tiento del quarto tono [Ricercare XI] (da Giulio Segni) | [2’39”] | |||
Francisco De la Torre (1483-1504) | |||||
19. | [Danza] Alta | [1’10”] | |||
Girolamo Parabosco (CA.1524 -1557) | |||||
20. | Ricercare “Da pacem Domine” | [1’48”] | |||
Andrea Gabrieli (1532/33-1585) | |||||
21. | Anchor che co’l partire (da Cipriano De Rore) | [3’41”] | |||
T.T. | [54’16”] |